Liner Notes
Cat. No. NWCR601
Release Date: 2007-01-01
Longy Artists Ensemble; Luis Ibanez, violin; Kirsi Perttuli-Kehayias, violin; Janet Packer, violin; Harold Lieberman, viola; Michael Curry, cello; Elizabeth Foulser, bass; Beth Anderson, flute; Sandy Consiglio, oboe; Steven Jackson, clarinet; Tom Stephenson, bassoon; Isabelle Plaster, bassoon; Gerald Serfass, trumpet; Melvin Strauss, Conductor; Sylvia Marlowe, harpsichord; Anahid Ajemian, violin; Charles Libove, violin; Harry Zaaratzian, viola; Charles McCraken, cello; Ronald Roseman, oboe; Samuel Baron, flute, Conductor
In asserting that his principal composition teacher was Bach, Vittorio Rieti reaffirmed in words what we hear in his music - that he understood and internalized the artistic workings of earlier masters, giving him the confidence to remain independent of fashionable trends. Joel Sheveloff has written, “Among twentieth-century composers, none knows more about his predecessors that Rieti, particularly about those dark corners in musical creativity in which rough places are made plain, and transitional passages get directed toward their proper goals. Perhaps Rieti's greatest gift is his ability to see a musical idea through to its logical conclusion. When a Rieti piece, ends, the audience is almost always sorry it is over - it was going along so well…”
This title, originally issued on the CRI label, is now available as a burn-on-demand CD (CD-R) or download in MP3/320, FLAC or WAV formats. CD-Rs come in a protective sleeve; no print booklet or jewel case included. Liner notes are accessible via the link above.
In asserting that his principal composition teacher was Bach, Vittorio Rieti reaffirmed in words what we hear in his music - that he understood and internalized the artistic workings of earlier masters, giving him the confidence to remain independent of fashionable trends. Joel Sheveloff has written, “Among twentieth-century composers, none knows more about his predecessors that Rieti, particularly about those dark corners in musical creativity in which rough places are made plain, and transitional passages get directed toward their proper goals. Perhaps Rieti's greatest gift is his ability to see a musical idea through to its logical conclusion. When a Rieti piece, ends, the audience is almost always sorry it is over - it was going along so well…”
This title, originally issued on the CRI label, is now available as a burn-on-demand CD (CD-R) or download in MP3/320, FLAC or WAV formats. CD-Rs come in a protective sleeve; no print booklet or jewel case included. Liner notes are accessible via the link above.
Music of Vittorio Rieti
| MP3/320 | $16.00 | |
| FLAC | $16.00 | |
| WAV | $16.00 | |
| CD-R | $16.00 |
A *.pdf of the notes may be accessed here free of charge.
Track Listing
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Serenata Per Violino Concertante e Piccola Orchestra: I. Allegro
Vittorio Rieti
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Serenata Per Violino Concertante e Piccola Orchestra: II. Cadenza
Vittorio Rieti
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Serenata Per Violino Concertante e Piccola Orchestra: II. Adagio e Siciliano
Vittorio Rieti
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Serenata Per Violino Concertante e Piccola Orchestra: III. Allegretto - Allegro Vivace
Vittorio Rieti
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Concerto per Clavicembalo e Orchestra: I. Adagio - Allegro moderato
Vittorio Rieti
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Concerto per Clavicembalo e Orchestra: II. Allegro scherzando; Allegro non troppo alla Tarantella
Vittorio Rieti
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Partita Per Flauto, Oboe, Quartetto Di Corde e Clavicembalo: I. Introduzione e Pastorale variata
Vittorio Rieti
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Partita Per Flauto, Oboe, Quartetto Di Corde e Clavicembalo: II. Scherzino; Vivace
Vittorio Rieti
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Partita Per Flauto, Oboe, Quartetto Di Corde e Clavicembalo: III. Aria; Andante mesto; IV. Fuga comatica - Allegro moderato; V. Giga - Allegro
Vittorio Rieti
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